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Hitler also admired nineteenth-century painters such as Ferdinand and Georg Waldmuller, Franz von Lenbach, and Wilhelm Liebl. In his view, these artists' work promoted strength of family and the unity of the German people. These attributes would be greatly needed in the coming years. Old Master painters such as Jan Vermeer, Rembrandt van Rijn, Leonardo da Vinci, and Jan van Eyck, along with the great German artists Lucas and were universally recognized as the epitome of greatness. Hitler believed ownership of such icons would bring recognition of his sophisticated knowledge of art and refined taste.
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